December 1st, 2010

Over the past few months I've been pursuing a little self set idea called Illustration Sundays. No strict rules, deadlines or timeframes just an excuse to sit down and illustrate to my heart's content. With it being the festive season and thoughts of a white Christmas I attacked my Moleskine with fine-liners and my personal card project commenced...

Those of you who have been following my Twitter would have seen recent updates of my progress over the past few weeks. The result being a limited run of 100 sets of three hand drawn illustrated Christmas cards. Each set contains three different designs of A6 cards printed on 350gsm 100% recycled stock with coloured envelopes. 

Sets are available to buy at £6 and there's a few ways you can get hold of them by either popping by Substrakt towers, following this link to my site or via Paypal with this button.

Merry Christmas! x

Claire Hartley
November 29th, 2010

Just in time for the festive season we'll get to indulge in the wonderful collaboration between Carlsberg and Swedish based designer agency Nopicnic. The Pripps Julol packaging has some lovely intricate illustrations, these will be available to buy in cans and bottles. Ho Ho Ho.

Claire Hartley
November 15th, 2010

This morning we received our copy of Impressive Print by Glasgow Press. The promotional cassette-size card box contains six music-themed cards showcasing letterpress printing in all its tactile glory. Printed on GF Smith Colorplan stock and features six different types of duplex board and a range of printing techniques including die cutting and metallic and holo-graphic foiling.

What a way to brighten up a monday morning!

Claire Hartley
October 25th, 2010

Mash Creative were comissioned by Black Watch Global, an intelligence and risk management consultancy to rebrand their existing identity. We absolutely love these brand guidelines and the clever use of information graphics too! 

Claire Hartley
October 15th, 2010

Last weekend I hopped on the train and went up north to Liverpool. I'd never properly explored the city and with it being named European Capital of Culture last year and hosting Liverpool Biennial, (a contemporary visual art event) my adventure begun...

First stop was the Walker Art Gallery which was grand Victorian building promoting itself as the 'National Gallery of the North'. Its collection proudly announced artworks dating right back to the 13th century, including art heros such as Rembrandt, Turner and David Hockney. I didn't visit all the rooms but I did enjoy The John Moores Painting Prize. The competition has ran for the past 50 years and is open to everybody so attracts over 3,000 entries so there's a eclectic mix of both established artists and new talent. Some weird and wonderful things to say the least!

Next door, as it seemed we were right in the centre of the 'cultural quarter' was another neo-classical building housing Liverpool World Museum. Just so you know, I went to the aquarium and checked out some pretty amazing fish ;) 

After previously visiting 3 of the 4 Tate galleries I was looking forward to ticking off Liverpool as I strolled towards Albert Dock. There were quite a few tourists around and a massive que at The Beatles Story as it attracted fans for what would have been John Lennon's 70th birthday (This was later confirmed as we walked down Mathew Street later on!) The main Tate exhibition was 'DLA Piper Series: This is Sculpture' which asked key figures from the cultural sector to co-curate and pick works from the collection to represent their interpretations. Each room was donned with a fluorescent hue dissenting from the traditional white wall gallery space which was pretty cool. As I approached one of the rooms presented with a wall of wireless headphones, I took the opportunity and the headphones, pulled back the black curtain and entered the room curated by Hemingway & Son. With the likes of Greg Wilson and Yousef playing in my ear I stepped right into a disco environment fully equipped with mirror balls, ambient lighting and an interactive light up dancefloor! The juxtaposition of the 80s disco vibes and modern contemporary sculpture was definitely a different way to look at the 25 life size sculptures focusing on the human body. They explain a little more thoroughly of their 'nightclub in a gallery' idea here. Other curators included poet Carol Ann Duffy and artist Michael Craig-Martin, definitely worth checking out if you're tup norf' anytime soon!

Taking part in the Biennial were venues A Foundation and Contemporary Urban Centre about a ten minute walk from the centre. Named the 'Baltic Triangle' and a bit of a hidden gem the area had qualities similar to those of Digbeth with its abandoned warehouses, numerous Grade II listed buildings and affordable creative spaces. With a no larger than A2 sized board sat in the middle of a unused road we were directed to the A Foundation. What looked like an oversized garage door appeared to be 2500sqm of exhibition space with cafe and bookshop. Currently showing was Bloomberg New Contemporaries which shows the best of up and coming emerging talent from across the UK. I was a bit overwhelmed by the space and the quality and range of work spanning all medias. If you don't get an opportunity to check it out then it's on at the ICA in London shortly. Last but not least was headed over the road to the Contemporary Urban Centre, (NB: the entrance is a little hard to find on the massive scale Grade II listed warehouse!!) The centre was a stunning space for creatives with art galleries, a unique cinema, studio spaces, cafes and a gig venue. Unfortunately we arrived on the one day they were closing early so we didn't get to see much of the City Spaces 2010 exhibition.

So we ended our day (I won't tell you about my evening!) in the Leaf Tea Shop & Bar, set on the ground floor on the opposite side of the building to the CUC. We arrived a bit late for it's high tea menu (we're quite partial to these thanks to the folks at Fazeley...mmm) but just in time for a cheeky beer and shortcake. Looking back I wish i'd tasted one of the show-stopping amounts of loose tea on offer served in their fancy teaware, but hey it was getting dark! Alongside its imaginative interiors, the laid back art cafe vibes, tasty cakes and the slick branding no wonder its became a worthy hang out to Liverpool creatives embracing the amazingness of tea, cake, and music! I'd say it's right up there with the likes of London, Berlin and New Yorks cultural hubs.

So yeh, Liverpool was pretty inspiring :)

Claire Hartley
October 1st, 2010

Caravan is a restaurant, bar and roastery located in Exmouth Market, London. I love the identity and wonderful use of typography. After branding Platform under London Bridge we have a huge interest in design for bars and restaurants and can really appreciate all the little details! Love it :) The food looks pretty tasty too!

Claire Hartley
October 1st, 2010

We're loving the identity for Hairy Bikers potato crisps. Typography set in sans serif Bureau Grot and packaging designed by UK based Here Design. Yummy...

Claire Hartley
May 24th, 2010







Theurel & Thomas - Anagram

Theurel & Thomas is the first pâtisserie in Mexico specialized in French macarons, the most popular dessert of the French pastries. For this project Design agency Anagram rebranded and redesigned their store in San Pedro, Mexico. The result is a beautiful, clean & simple, visual luxury rebranding work! White is a central part of the design and it contrasts with the French macarons colours.

Claire Hartley
May 18th, 2010







Claridge’s rebrand - Construct.

London design studio Construct has rebranded London hotel Claridge’s. The logo crest has been redrawn and uses a refined weight of typeface SangBleu. As well as introducing a sophisticated colour palette of jade, gold, white and black, bold architecturally inspired chevron patterns appear on the inside of bags, envelopes and on various objects, publications and goodies guests at the hotel are lilkely to encounter. 

Claire Hartley
May 18th, 2010

DesignStudio - Benito’s Hat

The identity for the Mexican kitchen was designed by Design Studio. It was to reflect the ethos of making fresh, healthy, authentic mexican food. 

Claire Hartley